Knowing page 1

Knowing page 1
I always knew

Knowing page 2

Knowing page 2
Resistance to commitment

Knowing page 3

Knowing page 3
BUT

Knowing page 4

Knowing page 4
I continued to save

Knowing page 5

Knowing page 5
content to deny myself luxuries

Knowing page 6

Knowing page 6
she implied

Knowing page 7

Knowing page 7
an insane depravation

Knowing page 8

Knowing page 8
Well, that day finally arrived

Knowing page 9

Knowing page 9
in an unpopular cafe

Knowing page 10

Knowing page 10
an abandoned brochure

Knowing page 11

Knowing page 11
KINESTHETICS, KUNDALINI AND THE KABBALA ON KNOSSOS

Knowing page 12

Knowing page 12
I had my very first vin-dit, a very personal shove

Knowing page 13

Knowing page 13
process must remain secret, weather's been great

Knowing page 14

Knowing page 14
these three things may be revealed

Knowing page 15

Knowing page 15
rather than uncoiling spiritual energy up

Knowing page 16

Knowing page 16
I've been directed to master

Knowing page 17

Knowing page 17
unfurling

Knowing page 18

Knowing page 18
the curled kundalini

Kowing page 19

Kowing page 19
OUT

Knowing page 20

Knowing page 20
I have rediscovered horns, crescent moons, sacred Yonies

Knowing page 21

Knowing page 21
and the mystic in mathematics: 25,920

Knowing page 22

Knowing page 22
makes my heart beat faster

Knowing page 23

Knowing page 23
I lifted my skirts and I cowed the bull

Knowing page 24

Knowing page 24
I rode him

Knowing page 25

Knowing page 25
Life hasn't been the same

Knowing page 26

Knowing page 26
I can pursue my dream

Knowing, finale

Knowing, finale
I'd be content with a small herd

Friday, February 18, 2011

The Exhibit

In order to present this complex material so that it's comprehensible and can be enjoyed it will take this form : we have used as a start point four of the powers of a woman with her skirt raised (from ancient sources), they are Cow Bulls, Still Waves, Blind or melt the Devil, Defy Death the core of everything is Defy Death.

We have also used the two ideas of "ana suromai" (the raised skirt gesture) and the myths of what is under a woman's skirts (such as is represented in the Sheba story below {older post}).

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